“Try? Do, or do not. There is no try.” - Yoda
I’ve scribbled in notebooks for many years. My approach has always been confessional and while strictly non-ficton, my notes certainly hold a great deal of fiction-friendly meat. I am trying to write because I felt it made sense and because feedback over the years kept pulling me in this direction. It has just been a matter of sitting down and getting it all out on paper for others to enjoy. Thousands of others feel this impulse. Thousands struggle with it. Good to have company, I suppose.
I had imagined coming to Copenhagen so that I could move away from my distractions and find a place to be still and finally flush out the lives in my mind. Meanwhile, so much here has added to my basket of experience and ideas. How does one write about life while also blocking it out to work? I meditate on this conundrum every day.
So I’ve put myself in the chair for days on end in an attempt to 'find' my process. It’s a discipline much like any other discipline wherein you start and fumble and restart then eventually, with perseverance, find your rhythm and it gets to become second nature and it flows. I really hope this is the case anyway! While some writers outline every detail before writing a word of the main story, others speak of their inability to do this (as it always changes anyway) and rely upon a more organic process wherein their characters just speak and the sense comes out later down the line. Playwright and screenwriter Christopher Hampton says that he rarely knows what the piece is actually about until two thirds of the way in. I’m defaulting to this way of thinking as I find I cannot yet grasp the full rounded picture of what my finished product is to look like, meanwhile having so many stories I want to incorporate and new ideas hitting me all the time. I am aiming for a book, but with a theatrical background, I think often of writing a play/screenplay and would love to see my story brought to life in that way, if possible. “One thing at a time”, says the preternaturally calm voice in my head (is that you, Morgan Freeman?). “Just start with one thing.”
As long as there is truth to the writing it will hold drama. At least, that’s my thinking. I'm sticking to the old adage 'write about what you know', gravitating towards the simple, yet profound (as is my way). I’m finding the hard part is revisiting places that I’m not necessarily keen to go back to and I’m working to plough through the anguish which comes with regurgitating the past. The other day, I was thinking about highschool which, while pleasant enough at the time, is just a place I do not want to go back to emotionally (does anyone!?!) I want to share what I have seen though, and there is only one way to get there at the moment, for this novice anyway, and that is straight through the middle. Hooooo-ahh!
So I will continue to work at it, learning as I go. Meanwhile, I’m trying to spend as little amount of time staring at my screen and peeking at Facebook when I need distraction, a.k.a. procrastinating. I am finding it difficult shutting out the world, but it is necessary at the moment. When you're working it's hard to fit in food and housekeeping (let alone homework from danish class!!). Sure, Kerouac wrote On the Road in three weeks continuous on a long scroll of paper, but someone else was there to feed him, even if it was only pea soup.
But I digress. “Surely, this can’t be that hard”, she said with a wink and fetched herself another cup of tea.
Random Girl